More New Wheels, Glaze Making, Our First Kiln Firing and... Just One Week To Go Until Our Open House!
We have unboxed our last wheels, bisque fired all 300 test tiles, mixed up all 8 of our colored glazes… and our Open House is just one week away! Now to glaze all those tiles…
It has been a very busy week here at the Staunton Clayground! We have been working like mad trying to get everything ready for our Open House next weekend and first classes after that, which we are so excited about! (Don’t forget, our very first “Intro to Clay” class starts on Monday, April 22, and there are still spots available! More on that below.)
Let’s clay!
First off, we unboxed and set up our new member wheels, a Shimpo Whisper and a Speedball Clay Boss. They have larger wheel heads (14”) and can handle more weight, and having them means that members will always have a guaranteed space to come and work in, separate from any ongoing class (if you recall, we have a bank of 9 wheels for classes already set up and ready to go)! Aren’t they enticing? I can’t wait to take them each out for a spin, pun fully intended ;-)
Studio Manager at work!
Then we started in on preparing our line-up of glazes! Jennifer got suited up and, over two days, got all eight of our colored glazes mixed (she actually used a drill with a mixer attachment, but the whisk was more photogenic).
Meanwhile, Cary has been hard at work finishing making kiln cookies, a task we’ve both been hard at work at for weeks, sometimes with the help of friends and family! For those of you who don’t know much about pottery firing, kiln cookies are not nummy treats, although we certainly could have used some of those more than once over the last couple of weeks!
They work kind of like coasters with a mug of tea: you put your glazed pieces on them while they’re in the kiln, because if the glaze runs down and drips, this way you end up with molten glass-like gloop on the disposable cookie instead of on the big, much-harder-to-replace kiln shelf.
Then we got to unload the kiln!
Cary got to lift the lid. It was an exciting moment, since this was the first firing we’d ever gotten a chance to do in our new studio!
Can’t wait to start dipping these in our brand new glazes!
Needless to say, we were as close to jumping up and down as we could be in a confined space filled with fragile equipment :-) In the end, all but one tile made it and now we are ready for glazing!
It’s going to be a very fun and busy weekend! With lots more to do before the Open House, just one week away!! We can’t wait to see you there! Not sure how to get there?
Just drop us a line if you still have any questions about how to find us!
And remember, our very first class, an “Intro to Clay,” starts on April 22, the Monday after our Open House. It will cover the basics of wheel throwing and handbuilding, and will be co-taught by Cary and Jennifer. There are still some spots left if you’re interested, and don’t forget to check out the rest of our class line-up for spring and summer. There are quite a few already, but we’re still adding to it! New and exciting workshops are still coming!
So keep watching this space!
Our Final Glaze Sneak Peek… Cream and Red!
The last two glazes in our palette’s line-up boast glossy surfaces rich in variation. The warm cream color of “Dappled Light” and the earthy “Iron Red” should break beautifully over texture. We can’t wait to try them out!
To round out our palette of colored glazes, we knew we definitely needed a white or cream, but we settled on one that is far from boring. “Dappled Light” by Standard is glossy and looks like it is going to offer some interesting and attractive surface variation. That was easy enough, but how to choose a red? There are so many different hues and shades, some with a little more blue in them, verging towards the burgundy or even purple, while others lean more towards crimson or orange. We opted for Standard’s “Iron Red,” an earthier brownish red, as you might guess from the name, though still glossy, with some intriguing breaks in color across the surface of the clay. We can’t wait to see how both of these behave on smooth and textured surfaces!
Mid-fire (Cone 6) glazes 1220 “Iron Red” and 1268 “Dappled Light,” both by the Standard company out of Pennsylvania
We are still deep in test-tile making mode and beginning to get to where we need to be, so we should be able to start testing all of our glazes on our studio clays soon!
Things are moving fast now, so keep watching this space!
The Colors of Giotto and Springtime: Our Third Glaze Sneak Peek
The two glazes featured in our third sneak peek are inspired by the Tuscan countryside and the colors favored by Proto-Renaissance artist Giotto, architect of the Florence Cathedral’s famous bell tower. Come read more about it in our latest blog post!
When I was studying art history in Italy, it was clear to see how the colors of the Tuscan landscape were reflected in the art produced by the land’s native artists.
Before the Renaissance had quite begun, there was Giotto, famous for his frescoes that adorn the Basilica of St. Francis in Assisi and many others, but also for his architecture. Most know him, if for nothing else, for his graceful bell tower, or Campanile, that stands next to Florence’s famous Cathedral, il Duomo di Firenze (seen here to the right of the cathedral’s façade).
The colored marble used to decorate the outside of the Campanile (and of so many other famous buildings of the time) is a green that reminds me very much of the hues of Tuscan olive groves and cypress trees, along with a warm pink, reminiscent of some seashells’ coloration.
(My little sister used to love combing the beach at Pisa for choice shells. I still have some of the ones that she collected for me).
So often do these particular shades of pink and green appear in this Proto-Renaissance artist’s frescoes and architecture that my first art history teacher used to call them “Giotto colors.”
It is a combination I have had a special fondness for ever since. When I see those two colors together, I can’t help but think of gentle Tuscan springtimes. How, then, could I resist pairing these two glazes for our Studio’s palette, when I saw that they were available?
So, here they are! Bellissimi! The glossy Mottled Green Transparent and matte Mottled Pink glazes, both mid-fire glazes from the Standard company out of Pennsylvania, like all the rest of our palette.
Standard 1225 Mottled Green Transparent and 1234 Mottled Pink mid-fire glazes against a backdrop of Tuscan countryside and the outline of Florence’s Cathedral, or Duomo, with its famous dome by Brunelleschi and its bell tower, or Campanile, by Giotto
Evviva! We can’t wait to try them out and, dare I say, breathe a little of that Renaissance spirit into our Studio.
Stay tuned for more news and for the last installment of our glaze sneak peek series, coming soon!